18 May 2026
Exhalation – Ted Chiang
The Merchant and the Alchemist's Gate
Using the Gate is not like drawing lots, where the token you select varies with each turn. Rather, using the Gate is like taking a secret passageway in a palace, one that lets you enter a room more quickly than by walking down the hallway. The room remains the same, no matter which door you use to enter.
Some of the men I did business with tried to match me with a sister or a daughter, telling me that the love of a woman can make you forget your pains. Perhaps they are right, but it cannot make you forget the pain you caused another. Whenever I imagined myself marrying another woman, I remembered the look of hurt in Najya’s eyes when I last saw her, and my heart was closed to others.
I knew it was foolhardy; men of experience say, “Four things do not come back: the spoken word, the sped arrow, the past life, and the neglected opportunity,” and I understood the truth of those words better than most.
Past and future are the same, and we cannot change either, only know them more fully.
Nothing erases the past. There is repentance, there is atonement, and there is forgiveness. That is all, but that is enough.
Exhalation
Every day we consume two lungs heavy with air; every day we remove the empty ones from our chest and replace them with full ones. If a person is careless and lets his air level run too low, he feels the heaviness of his limbs and the growing need for replenishment. It is exceedingly rare that a person is unable to get at least one replacement lung before his installed pair runs empty; on those unfortunate occasions where this has happened—when a person is trapped and unable to move, with no one nearby to assist him—he dies within seconds of his air running out.
For decades the prevailing theory of memory was that all of a person’s experiences were engraved on sheets of gold foil; it was these sheets, torn apart by the force of the blast, that were the source of the tiny flakes found after accidents.
I was a proponent of the competing school of thought, which held that our memories were stored in some medium in which the process of erasure was no more difficult than recording: perhaps in the rotation of gears, or the positions of a series of switches. This theory implied that everything we had forgotten was indeed lost, and our brains contained no histories older than those found in our libraries. One advantage of this theory was that it better explained why, when lungs are installed in those who have died from lack of air, the revived have no memories and are all but mindless: somehow the shock of death had reset all the gears or switches.
Though I am long dead as you read this, explorer, I offer to you a valediction. Contemplate the marvel that is existence, and rejoice that you are able to do so. I feel I have the right to tell you this because, as I am inscribing these words, I am doing the same.
The Lifecycle of Software Objects
“It’s hard to find someone who understands,” Ana says. “It was the same when I worked at the zoo; every guy I dated felt like he was coming in second”.
As she did at the time, Ana again tries to pin down exactly why nonsexual relationships with animals can be healthy while sexual ones can’t, why the limited consent that animals can give is sufficient to keep them as pets yet not to have sex with them. Again she can’t articulate an argument that isn’t rooted in personal distaste, and she’s not sure that’s a good enough reason.
She wants to tell them that Blue Gamma was more right than it knew: experience isn’t merely the best teacher; it’s the only teacher. If she’s learned anything raising Jax, it’s that there are no shortcuts; if you want to create the common sense that comes from twenty years of being in the world, you need to devote twenty years to the task. You can’t assemble an equivalent collection of heuristics in less time; experience is algorithmically incompressible. And even though it’s possible to take a snapshot of all that experience and duplicate it ad infinitum, even though it’s possible to sell copies cheaply or give them away for free, each of the resulting digients would still have lived a lifetime. Each one would have once seen the world with new eyes, have had hopes fulfilled and hopes dashed, have learned how it felt to tell a lie and how it felt to be told one.
Loving someone means making sacrifices for them.
She imagines Jax maturing over the years, both in Real Space and in the real world. Imagines him incorporated, a legal person, employed and earning a living. Imagines him as a participant in the digient subculture, a community with enough money and skills to port itself to new platforms when the need arises. Imagines him accepted by a generation of humans who have grown up with digients and view them as potential relationship partners in a way that members of her generation will never be able to. Imagines him loving and being loved, arguing and compromising. Imagines him making sacrifices, some hard and some made easy because they’re for a person he truly cares about.
The Truth of Fact, the Truth of Feeling
Lifelogs are the most complete photo album imaginable, but like most photo albums, they lie dormant except on special occasions.
Here was the line at which the pursuit of truth ceased to be an intrinsic good. When the only persons affected have a personal relationship with each other, other priorities are often more important, and a forensic pursuit of the truth could be harmful. Did it really matter whose idea it was to take the vacation that turned out so disastrously? Did you need to know which partner was more forgetful about completing errands the other person requested? I was no expert on marriage, but I knew what marriage counselors said: pinpointing blame wasn’t the answer. Instead, couples needed to acknowledge each other’s feelings and address their problems as a team.
“Remem didn’t give them a scorekeeping mentality; they developed that on their own. Another couple could just as easily use Remem to realize that they’ve both misremembered things and become more forgiving when that sort of mistake happens. I predict the latter scenario will be the more common one with our customers as a whole.” I wished I could share Erica Meyers’s optimism, but I knew that new technology doesn’t always bring out the best in people. Who hasn’t wished they could prove that their version of events was the correct one?
“Forgive and forget” goes the expression, and for our idealized magnanimous selves, that is all you needed. But for our actual selves the relationship between those two actions isn’t so straightforward. In most cases we have to forget a little bit before we can forgive; when we no longer experience the pain as fresh, the insult is easier to forgive, which in turn makes it less memorable, and so on. It’s this psychological feedback loop that makes initially infuriating offenses seem pardonable in the mirror of hindsight.
Writing was not just a way to record what someone said; it could help you decide what you would say before you said it. And words were not just the pieces of speaking; they were the pieces of thinking. When you wrote them down, you could grasp your thoughts like bricks in your hands and push them into different arrangements. Writing let you look at your thoughts in a way you couldn’t if you were just talking, and having seen them, you could improve them, make them stronger and more elaborate.
Just as there’s a feedback loop in softening harsh memories, there’s also one at work in the romanticization of childhood memories, and disrupting that process will have consequences. The earliest birthday I remember is my fourth; I remember blowing out the candles on my cake, the thrill of tearing the wrapping paper off the presents. There’s no video of the event, but there are snapshots in the family album, and they are consistent with what I remember. In fact, I suspect I no longer remember the day itself. It’s more likely that I manufactured the memory when I was first shown the snapshots, and over time, I’ve imbued it with the emotion I imagine I felt that day. Little by little, over repeated instances of recall, I’ve created a happy memory for myself.
It seemed to me that continuous video of my entire childhood would be full of facts but devoid of feeling, simply because cameras couldn’t capture the emotional dimension of events. As far as the camera was concerned, that afternoon with my grandmother would be indistinguishable from a hundred others. And if I’d grown up with access to all the video footage, there’d have been no way for me to assign more emotional weight to any particular day, no nucleus around which nostalgia could accrete.
People are made of stories. Our memories are not the impartial accumulation of every second we’ve lived; they’re the narrative that we assembled out of selected moments. Which is why, even when we’ve experienced the same events as other individuals, we never constructed identical narratives: the criteria used for selecting moments were different for each of us, and a reflection of our personalities. Each of us noticed the details that caught our attention and remembered what was important to us, and the narratives we built shaped our personalities in turn. But, I wondered, if everyone remembered everything, would our differences get shaved away? What would happen to our sense of self? It seemed to me that a perfect memory couldn’t be a narrative any more than unedited security-cam footage could be a feature film.
I would have testified, hand on a stack of Bibles or using any oath required of me, that it was Nicole who’d accused me of being the reason her mother left us. My recollection of that argument was as clear as any memory I had, but that wasn’t the only reason I found the video hard to believe; it was also my knowledge that—whatever my faults or imperfections—I was never the kind of father who could say such a thing to his child. Yet here was digital video proving that I had been exactly that kind of father. And while I wasn’t that man anymore, I couldn’t deny that I was continuous with him.
Literacy encourages a culture to place more value on documentation and less on subjective experience, and overall I think the positives outweigh the negatives. Written records are vulnerable to every kind of error, and their interpretation is subject to change, but at least the words on the page remain fixed, and there is real merit in that. When it comes to our individual memories, I live on the opposite side of the divide. As someone whose identity was built on organic memory, I’m threatened by the prospect of removing subjectivity from our recall of events. I used to think it could be valuable for individuals to tell stories about themselves, valuable in a way that it couldn’t be for cultures, but I’m a product of my time, and times change. We can’t prevent the adoption of digital memory any more than oral cultures could stop the arrival of literacy, so the best I can do is look for something positive in it. And I think I’ve found the real benefit of digital memory. The point is not to prove you were right; the point is to admit you were wrong. Because all of us have been wrong on various occasions, engaged in cruelty and hypocrisy, and we’ve forgotten most of those occasions. And that means we don’t really know ourselves. How much personal insight can I claim if I can’t trust my memory? How much can you? You’re probably thinking that, while your memory isn’t perfect, you’ve never engaged in revisionism of the magnitude I’m guilty of. But I was just as certain as you, and I was wrong. You may say, “I know I’m not perfect. I’ve made mistakes.” I am here to tell you that you have made more than you think, that some of the core assumptions on which your self-image is built are actually lies.
Digital memory will not stop us from telling stories about ourselves. As I said earlier, we are made of stories, and nothing can change that. What digital memory will do is change those stories from fabulations that emphasize our best acts and elide our worst, into ones that—I hope—acknowledge our fallibility and make us less judgmental about the fallibility of others.